Showing posts with label manga. Show all posts
Showing posts with label manga. Show all posts

Ghost in the Shell

Note to readers: The iconic Masamune Shirow's works are pretty hard to come across in English (and in India), and I found one tucked away in an airport bookshop. I simply had to leave my other projects mid-way to read the original manga - albeit in English. Apologies for the delay to those of you who've written to me asking when the next review would be out, and to those of you I had promised to do Sandman and Watchmen. These, I promise, will be next. 

Most comic (and movie) buffs have heard of 'The Ghost in the Shell'. Thus far, I had contented myself on just the animated movies (which are iconic in their own right). If you haven't read the book but watched the movies, then you're pretty well clued into the story. It doesn't deviate from the book and I can only imagine the pains with which the screenplay for the animation was written since it does indeed put forth the philosophical aspects rather well. 

The year is 2029. Cybernetic technology has successfully (to a large degree) molded Man and Machine. Hands and legs can be easily replaced by more technically advanced limbs. Eyes can be replaced by electronic lenses that allow you to zoom or change visual medium (think Robocop). Even the brain can be downloaded and transferred to a human exoskeleton, called a Shell. With all human organs easily replicable, what's left is the 'Ghost' of the person that existed earlier; call it a 'consciousness' if you will. This forms the basis for the title's etymology. 

The world is basically one large electronic network.  And since one can actually plug in one's brain to this 'internet', interpersonal communication can happen via thought without actually speaking. Of course, there's the chance that if you let someone into your head, they may find stuff you don't want them to - but this can be guarded against (like using firewalls on your computer). This is the background on which the story rests. 

What hasn't changed in the world is this: countries are still haggling with each other for economic profit and power. 

The plot revolves around a special division of the paramilitary forces called Public Security Section 9 which deals with external threats to the country (in this case, Japan). They report only to the highest authorities and enjoy almost limitless freedom to take action as they see fit. The protagonists are all part of Section 9. The soldiers (in order of hierarchy) are  Kusanagi a.k.a. the Major, Batou, Ishikawa, and Togusa. The unit is headed by Aramaki (who's also referred to as 'ape-face' - with good reason). The unit also uses an 'intelligent' single-seater armored tanks called Fuchikoma and other state-of-the-art weaponry (including personal armour that can render you invisible). 

The story starts with Section 9 being formed after a government-authorized assassination. After that, the team carries out a series of seemingly routine operations that include an orphanage where an inmate tries to run away, chasing down a bomber, a brutal mafia boss who's trying to escape the country and dirty politicians. As the story progresses, they realize that the crimes are all somehow connected at the highest levels with a secret government project called the Puppet Master - a cyborg that claims to have a consciousness. That apart, there's the interdepartmental rivalry, the team members' personal lives and relationships, and the rapport they develop with one another in the course of their work. Enough, I suppose, to say that there's something for everyone. But what sets the novel apart are Artwork, Technological detailing and Philosophy. 

The Dark Horse Manga edition I bought is interspersed with full color spreads, as in the original collected format. There was an earlier edition which was less graphic and explicit. Needless to say, Masamune brings stories to life as few others can. 

Reading the novel reminded me of Michael Crichton's writing, which is full of scientific/technical explanations. 'Ghost in the Shell' features writing between the frames which are small notes. They give bits of information that either clarify technology or describe what's been drawn. For instance, when a nurse asks "Feel any pain around the brain, hon?", there's a small note below the panel which says "The brain itself cannot feel pain". There are quite a few pages that illustrate technology and how it works. In fact, most of the technology he speaks of actually exists. 

But what makes it 'cult' is the philosophical discussion that emerges within. A sort of case against Cartesian Dualism. For instance, if the mind can be replicated, then what's the definition of being human? How far can/should Man and Machine integrate? What part of us makes up our 'identity'? 

Reading the book won't make you hate the movie in any way at all. It'll give you scenes and insights into characters which weren't included in the movie and add depth to what you would already know. And it's definitely worth the read. Do try to get your hands on this one.

(un)Wanted

The other day I was browsing for upcoming movies and was pleasantly surprised to see that 'Wanted' is going to be released later this month. Having enjoyed the comic, I couldn't wait to check out the trailer online. Like most men, I'm always happy to see Angelina Jolie on screen. Something about her holding a gun does a lot for me.

The trailer started off well enough and for a moment I thought the story might actually follow the comic but I was wrong. From what I could make of the trailer, it seems to be just another action flick like Mr and Mrs Smith. While that may make a lot of box office sense, I'm disappointed to see the loss of a great opportunity. Let me attempt to explain.

First, a small introduction for those who haven't read the comic. 'Wanted' is a six-part comic written by Mark Millar. It begins with a frame of a girl stripping in front of a guy with the narration "This is my girlfriend fucking my best friend." in a very matter-of-fact way. This is followed by several other panels describing other aspects of his life. The gist of it is that he establishes that he is a typical blue-collared guy who never takes a stand against anything no matter what life dishes out to him.

One day, at a diner, a girl introduces herself and tells him that he's got to come with her. And before he can offer an opinion, goes on to shoot everyone else in the diner in cold blood. Virtually kidnapped, he's introduced to a cartel of hi-tech, costumed supervillains (some from parallel dimensions) who run the world (as we know it) behind the scenes with a mafia-style understanding between the main 'families' who have split the continents between them (much like The Godfather).

The head honcho (The Professor) tells him that his father (who abandoned him long back) died the previous day and left him fifty million dollars in cash. The catch, however, is that to get it, he must spend the next 6 months getting trained to "be a man" and in control of his life. He accepts and begins training. This involves getting desensitised to morals, ethics and basically everything that modern society rests on. Beginning with 2 weeks in a slaughter house to rapes and killing sprees. With a standard weapons drill thrown in, of course. Sound good so far?

Millar dishes it out over 6 issues. The internal politics. The conspiracy. The betrayal. The mutiny. And an abrupt conclusion. Back comes the narrator. And then comes the ending. And though I wish I could tell you that, I won't spoil the surprise. It needs to be read from start to finish. A violent ballet that mixes two cult movies: Fight Club and The Usual Suspects.

While adapting it directly to a film would almost certainly trivialize it, I feel a manga-style anime akin to 'Ghost in the Shell' is called for.